by Absolute Zero

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Jonus Moose Really fantastic mix of the digital human world and the analogue environmental. The saxophone I see as the visceral connection between the synthesis and the enveloping chamber. There is a two way conversation between the sax and the synth with the cave as the music passion counsellor.
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Sebastian Heynig: soprano saxophone - Ulises Labaronnie: analog synthesizer
Recorded in the caves and canyons of Piedra Parada and Cañadón de las Buitreras, Patagonian desert, Argentina.
No reverbs or delays added, all acoustics from the recording site.
Big walls of stone from a 65 millions of years old volcanic caldera.
Caves and canyons provide an infinite acoustic dimension.
On cold winter days, two musician made this distant trip to one of the most incredible places in Patagonia big landscape to suit an improvisation strongly inspired by the natural sculpture of the stone and the acoustics posibilities in this such enormous site.


released August 31, 2016

Produced and performed by Ulises Labaronnie - Sebastian Heynig
Absolute Zero Music - 2016



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Ulises Labaronnie Argentina

composer – musician – videomaker

Born in Buenos Aires, Argentina in november 1972.
He dedicate to experimental music since he was 20 years old, developing a style influenced by many branches of the music, including ambient music, electroacoustics, contemporany and classical music, ethnomusicology and electronics.
He compose music for films, videogames & art-exhibitions.
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